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    FROM THE MARS HOTEL (50TH ANNIVERSARY DELUXE EDITION) features remastered audio by GRAMMY® Award-winning engineer David Glaser, with Plangent Processes tape restoration and speed correction. Produced for release by Grateful Dead Legacy Manager and Audio Archivist, David Lemieux, the DELUXE EDITION also includes demos of “China Doll” and “Wave That Flag” – the song that became “U.S. Blues” – as well as a previously unreleased live performance of the Grateful Dead at University of Nevada-Reno on 5/12/1974. As the band filled an outdoor football stadium with epic highs like huge “China Cat Sunflower” > “I Know You Rider,” Mars Hotel cuts including “U.S. Blues” and classics such as “Brown-Eyed Women,” “Tennessee Jed,” “Mississippi Half-Step,” “Truckin',” “Sugar Magnolia,” a massive wind storm was no match for the Wall of Sound. Designed to improve the listening and performance experience at what were becoming larger gigs and longer, more dynamic and varied sets, the Wall of Sound required 21 stage hands, and underlined the resounding effect the Grateful Dead were having on American audiences and culture at the time, even as the entire operation remained homespun and humble. 

    Recorded in San Francisco’s Coast Recorders studio, FROM THE MARS HOTEL finds Keith Godchaux particularly shining across a variety of keys, from the “China Doll” harpsichord to the pounding piano on Bob Weir’s “Money Money,” to the churchy organ that elevates “Ship Of Fools.” Lyricist Robert Hunter packs “U.S. Blues” with a barrage of imagery, pop-culture references and sardonic asides – as Canadian author Ray Robertson writes in the 50th Anniversary Edition’s liner notes, it “carries an undeniable whiff of late-capitalism ennui…it’s the most fun you’ll ever have dancing to the end of the American Empire.” Jerry Garcia’s jaunty lead guitar drives bouncing melodies across the LP, while guests include Ned Lagin’s unnerving synth effects on “Unbroken Chain,” Clover member John McFee’s country-rock pedal steel on “Pride Of Cucamonga,” and more.

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  • uncle_tripel
    Joined:
    MONEY MONEY...

    ...jiminmd, yup takin' it to the house! rhino, owned by wmg, large us corporation; new ceo makes mark with successive year layoffs, yup public awareness profits up, . .impacting tech? wmg = warner music group . . can you squeeze some more...
    it's only bucks, you don't need no jack
    so won't you please relax and lay way back

  • daverock
    Joined:
    1974

    It's a year where each and every show I have heard has held some interest. Even the ones that don't qualify as top banana. I have never heard 5/12/74 before - so I am looking forward to this release.

  • JimInMD
    Joined:
    QED

    For example, how did I get that last post through when the 14 before that were actually about the GD got snuffed.

    As you were

  • JimInMD
    Joined:
    Interesting

    Some of the more interesting posts on this thread are the deceptively clever criticisms regarding the posts that would not through to the heycow police

    yes, I'm pretty sure even
    he y n o w
    is a restricted word, or so it appears.

    The good people here trying to honestly comment on the music, culture, stories, shows etc. but were denied and ended up whimsically complaining about the system that snuffed their posts into oblivion. All that remains are comically interesting posts regarding the stupid rhino censorship system they probably spent as much money on as it would be to produce CDs that actually played without skipping, having glue smears, not playing at all after ten years etc. Ok rant over.

    So my suggestion to senor pinkus et al, take the money spent on your wordsmith gestapo crack web design team and us it to make better cds that play well.

    (how'd I do?)

    btw, Reno was ok, agree 74 established a high bar but even the sleepers sound better than the average bear. Even Roanake, Palis des Sports and some of the others deserve some listening love.

  • icecrmcnkd
    Joined:
    5-12-74 subpar

    74 has a high bar.

    What’s being released from 5-12-74 fits on 2 CD’s, so it works for a 3-CD release. I had the show on cassette in the late 90’s, and have had several digital versions since. Got an upgrade last year. This release should be the best sounding version and is a good choice for the bonus discs because it doesn’t qualify to be a DaP or in a Box. But still needs to be released.

  • Pigpen Lives
    Joined:
    Odd Selection

    I've been listening to every show from 1974 this month. So far Reno 5/12 and Munich 9/14 are the only sub-par performances of the year. The band was a bit rusty after a long time off. No idea what went into the decision to select this date. Maybe no better alternatives for the 50th anniversary release.

  • hendrixfreak
    Joined:
    Proudfoot is 'dead on'

    Why bother with our outrageously witty banter if we get stymied by HN?

    It's too bad, because many of us met up at shows, traded music, and hyped the releases amongst ourselves. That's got to be good for business. I think a clumsy coder must be doing 'security' for the site and can't write code to block fraudsters without turning everyone else away. HF

  • bigbrownie
    Joined:
    Eclipse in Goleta, CA

    Caught our 50% worth in a parking lot to the tune of Estimated>Eyes>Drums>Space>NFA from Paris 10/17/81.

  • proudfoot
    Joined:
    This site

    Becoming like a ghost town

  • proudfoot
    Joined:
    4/7/71

    Hard to Handle

    Nice

    This is a show of which I would love to hear a complete version

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FROM THE MARS HOTEL (50TH ANNIVERSARY DELUXE EDITION) features remastered audio by GRAMMY® Award-winning engineer David Glaser, with Plangent Processes tape restoration and speed correction. Produced for release by Grateful Dead Legacy Manager and Audio Archivist, David Lemieux, the DELUXE EDITION also includes demos of “China Doll” and “Wave That Flag” – the song that became “U.S. Blues” – as well as a previously unreleased live performance of the Grateful Dead at University of Nevada-Reno on 5/12/1974. As the band filled an outdoor football stadium with epic highs like huge “China Cat Sunflower” > “I Know You Rider,” Mars Hotel cuts including “U.S. Blues” and classics such as “Brown-Eyed Women,” “Tennessee Jed,” “Mississippi Half-Step,” “Truckin',” “Sugar Magnolia,” a massive wind storm was no match for the Wall of Sound. Designed to improve the listening and performance experience at what were becoming larger gigs and longer, more dynamic and varied sets, the Wall of Sound required 21 stage hands, and underlined the resounding effect the Grateful Dead were having on American audiences and culture at the time, even as the entire operation remained homespun and humble. 

Recorded in San Francisco’s Coast Recorders studio, FROM THE MARS HOTEL finds Keith Godchaux particularly shining across a variety of keys, from the “China Doll” harpsichord to the pounding piano on Bob Weir’s “Money Money,” to the churchy organ that elevates “Ship Of Fools.” Lyricist Robert Hunter packs “U.S. Blues” with a barrage of imagery, pop-culture references and sardonic asides – as Canadian author Ray Robertson writes in the 50th Anniversary Edition’s liner notes, it “carries an undeniable whiff of late-capitalism ennui…it’s the most fun you’ll ever have dancing to the end of the American Empire.” Jerry Garcia’s jaunty lead guitar drives bouncing melodies across the LP, while guests include Ned Lagin’s unnerving synth effects on “Unbroken Chain,” Clover member John McFee’s country-rock pedal steel on “Pride Of Cucamonga,” and more.

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12 years 10 months

In reply to by JimInMD

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Nobody has posted to this page in a week?

That is a terrible sign. Rhino, wake the fudge up and fix some things. This is leading to your bottom line.

Start by firing that Hey Now IT Assfluck. Whoever installed the piece of crap add on to the web server should be tarred, feathered and let go pronto. ..but not before getting him/her/who to remove it.

Seriously, this is a top flight May 77 show and there is absolutely no hype here whatsoever. Or as Pig_Pen would day, get your hands out of your pockets and get to work.

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12 years 10 months

In reply to by JimInMD

Permalink

Seriously, this is a topflight show where the second set does not circulate as a sound_board and there is absolutely no hype here whatsoever. Or as Mr. Pen would say, get your hands out of your pockets and fix this.

Really, it's not that hard. Most of us here are happy to share the love and hype releases because the music is that good, even off shows are spectacular in their own special way. We are happy to do this. Just don't censor or hey_now us to death. This is what you need to do

Remove ALL of this Hey_ now B_S_ like immediately.
Fire the joker who sold you this bill of goods
Tar and feather this same joker
If you have a medieval block, be sure to lock him or her up in it and put them in the city center for no less than three days and no longer than a month.

That is all. Have a wonderful day.

Sadly they just dont care

Bottom line you say

I haven't bought this release because of it

Again tho they just don't care

They probably gave Marye the boot too

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12 years 10 months

In reply to by proudfoot

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You're probably right PF.

Disconnected and living off the residuals. But even the DaP's are not selling out and interest is low. Plus their website sucks and is cumbersome to use.

Wake the FU dread net and fix this mess you created.

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9 years 8 months

In reply to by JimInMD

Permalink

What's wrong with a little integrity ? We aren't children. The actual band, The Grateful Dead, were always about integrity rather than hype. Or so it appeared from this great distance.

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11 years 1 month

In reply to by JimInMD

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it's not for me, would rather see near total focus on the music, reissue all the stuff that's unavailable except on secondary markets where some sellers expect hideous prices, in whatever formats people wish, and get rid of the toxic hey now

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7 years 6 months

In reply to by JimInMD

Permalink

I don't think they would ever reisssue in CD format due to the limited edition numbers. As we all know, they have reissued some in vinyl.

According to Dave, they typically sell out in a couple of weeks.

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16 years 10 months

In reply to by DeadVikes

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Most of you don’t have the gear or ears to tell the difference.
Really, you’d rather pay again, for stuff you have instead of other, new stuff you don’t? To each their own dot dot dot

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12 years 10 months

In reply to by dmcvt

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Here here. Love it.

They are essentially a marketing company now that manufacturing has been outsourced. Toxic Hey Now has become their 2024 Branding milestone. Congratulations.

Ok, rant over (until the next time I get clubbed over the head by Dr. Hey_ Now)

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10 years 9 months

In reply to by Oroborous

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Agreed.
I'm getting too old to be looking back.
Give me the new unreleased stuff.
Peace

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8 years 6 months

In reply to by TN John

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There’s no ‘77 hype on this page because it’s the Mars Hotel page.

Just saying……

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12 years 10 months

In reply to by icecrmcnkd

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Thanks Cone Kid.. I thought I was on the Dave's 50 page, that explains it.

Apologies to all. What can I say.. I screwed that one up.

Doesn't mean I forgive the hey_ now stuff though.

Now... I need to find the dave's 50 thread and see what I have been missing. Anyone ever get lost in the woods. Well... hehe.. again, apologies.

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8 years 6 months

In reply to by JimInMD

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That’s what happens when you switch to decaf.

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9 years 8 months

In reply to by TN John

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I do like records, I have to say. So I am always tempted by re-releases of Dicks Picks in this format. Just the ones I like, obviously.

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12 years 10 months

In reply to by daverock

Permalink

Releasing the older stuff on Vinyl makes sense.

I think Real Gone has released most if not all of the Dicks Picks and Road Trips anyway, so it might be moot. As for Dave's Picks, they appear to be marching forward with few changes, which is probably a good thing.

No decaf today. All systems normal.

I always assume they will sound better than the old cds - I am not so sure the Daves Picks will, having originally come out more recently. I seem to listen in a more focussed way to vinyl - and those shows I have in this format get played much more in my house than them as don't.

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10 years 2 months
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Instead of smoking it... just dropping in to predict that by the end of June they'll announce the year's box set. Mars 50th has been available for order for some time and when they start delivering it, it's on to the next product.

I can't even begin to guess the contents/focus, other than the commercial sweet spot of 1971-1979. A fall '72 box would certainly get my money.

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15 years 11 months
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HF, hope all is well!

Yes, could certainly go for a late 72 box set, preferably all the Texas shows in one neat package. Except for November 19, sonic issues have been afoot. Maybe there's clean Owsley copies in those banana boxes...........

..........along with complete copies of the 1970 February and April Fillmore West runs............

My optimism wears heavy boots and is loud......

Rock on,

Doc
Perhaps it's good to have a sense of duty, a jealous zeal to protect or improve, but pride ultimately is only that which stands vulnerable to offense and degradation.....

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10 years 2 months
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Hey bro, all going as well as can be expected and lucky to be here.

I might as well repeat my true wish: a collection of the best unreleased '66-'68 tapes, warts and all, for the record. And my ears.

Long live Primal Dead! (And the Doc)

HF

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3 years 3 months
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Big month in terms of releases of pre~orders. This one here, Mars Hotel. Hunter's Rumrunners and the new GarciaLive, a tasty bit from early 1976 with Kieth & Donna while the Dead still not yet touring again. I just picked up the River Box early this year {lucky it's still in the store} and couldn't agree more with the fall 1972 talk. I would also add the prospect of some Sept.~Autumn 1973 shows for a nice box set. Anyways that announcement will probably also be in June?

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3 years 3 months

In reply to by RyXs

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I forgot! Last year's box was 1973, so forget that for now. Anyways how about some Keith & Donna era Shakedown Street, From the Heart of Me? Etc.! Early Brent Box? 1979.

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10 years 2 months
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I will endorse the August 12-14 '79 run for release. (As if that matters!)
First night at Red Rocks, 2nd and 3rd in monsoon rains, at McNichols. Tripped mightily the first two nights, rather hollow the third. But the music was explosive across the three nights.
I'm totally unbiased, but the tapes of the first two nights bears out that this was a good run.

But a distant second to the newly discovered '68 tapes. Including the night in October that they packaged with that silly cartoon book.

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9 years 8 months

In reply to by hendrixfreak

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I see this is being re-released on vinyl on Real Gone Records soon. I only played the first cd of this, 6/26/74, at the weekend. One of the all time great cds, in my opinion.

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3 years 3 months

In reply to by hendrixfreak

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Re: HendrixFreak; Add the two Oakland shows a week prior to your Colorado trio and that's a nice 5 show box! Early August 1979, right before they did that classic East coast tour. Much of which was on the Road Trips 1.1 release.

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13 years 6 months
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HendrixFreak, I was there in 79, first time at Red Rocks. SOOOOO disappointed when we had to move to Mcnichols, I had so wanted to experience the famed Red Rocks!

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9 years 8 months
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Me too.
One big happy GD fam-damily here!
1st night: Who is this long haired guy tearing it up on the keys?
2nd night: Loved it even with the poor sound, especially the Nobody's jam.
3rd night: Vague memories, drained by then, nosebleed seats.
Cheers

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