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    marye
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    Our friends the Rhinos have various and sundry new releases in the development process, but they're always interested in hearing what you'd like to see hit the virtual shelves of the Store. No promises, but you never know...

    This topic is for requesting new box sets. There are also topics for individual shows and DVDs.

    If you've already requested something in the previous Requests topic, you don't really need to request it again, but hey, if you just can't help yourself...

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  • Snark
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    correction to prior post
    I mis-stated the names of the songs played on 3 of the 4 Swing Auditorium shows: the actual song names with 3 plays were: Promised Land, Tennessee Jed, and Drums. Playing in the Band is only in 2 shows.
  • Snark
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    Swing Auditorium
    I'd love to see a box set comprised of the four shows that they played at the San Bernardino Swing Auditorium (1969, 1977, 1978, 1980). Call it "Swing Sets," or something like that--all good shows, including two shows that kicked off new tours (77 & 78), but the biggest thing is that, of the total 71 songs, there are 51 different tunes, with only one (Mama Tried) being in all four shows, and only three others (Promised Land, Playing In The Band, and, of course, Drums) with three performances each, and eleven songs played in two different shows. 78 includes the first performances of Terrapin Station and Estimated Prophet, 79 features an all-Bobby vocals 2nd set (with Jerry concentrating on his guitar), and the passion of He's Gone in the 80 show, just days after John Lennon was murdered, is quite possibly the best-ever rendition of that song. This box would also include Pigpen (69), Keith & Donna (77 & 78), and Brent (80), making it a nice "first half" retrospective collection, too. Size-wise, it would fit on 10 CDs (the 69 and 78 shows are both short enough for 2 discs, while the 77 & 80 shows would take 3 each).
  • maybeyouknow
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    pigpen
    this isnt really a box set but it didnt fit the other categories i heard that pigpen was working on an album before he died if any of those songs were completed they should release them or have someone record then release them just my opinion
  • jolie
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    Greek Theater, Berkeley box set
    I would absolutely LOVE to see a box set released from the Berkeley Greek Theater shows, especially 1981 (the first run there & fabulous!), 1985 (20th anniversary) & 1989 (the last run there). Loveya, Jolie Cloud hands reaching from a rainbow Tapping at your window Touch your hair -- Robert Hunter, "Crazy Fingers"
  • pkpotter
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    And how incredibly wonderful
    And how incredibly wonderful that we can talk about the "eras" of this band. Hoping they round out each era with a complete run box set. Maybe every four years, we have 69,73, now for 77,then 81,85,89,93..... just a thought...
  • Oroboros
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    Dstashe, I was at that 6-4-77 show at the Forum and the
    inventiveness, power, and dynamics of the boys that night left me slackjawed. I could say more about that show and I wanted to speak to the box set and era topic, but CosmicBadger beat me to the points I was thinking about. I also often have thought that the period that people attended shows or when they really 'got it' was the era of the band that they subsequently enjoy the most. But after reading the genesis of Dstache's experience, that may not be the case. I instead own that my heaviest touring 'window' starting in '74 and through the early '80s is the strongest influence that steer my 'wishlists'. I still attended a show a year (or so) once marriage and children came along but I attended fewer shows and look back on days more fondly when I was actively roadtripping. And I do hear or feel that some of those shows from that era really speak to me. I still do enjoy shows from other eras, but the '69 Dead's breakneck speed & turn on a dime frenzy combined with their DEEP jamming. and the evolution into the roaring beast through the 1970's will always have a special lure for me. I will never forget those June Forum & Winterland shows in '77 or the '77 NYE Winterland run and then there was that '78 midwest (Madison - Red Rocks) tour that really hit me where I live. As with you all, I don't begrudge anyone for desiring those later shows, but for me, those '70's are 'so right'. You know some love the Jalapaneo, others must have that Habanero, yet others desire the Cayenne, and some yearn for the Serrano ('you know this space is getting hot'). It is the same with wide variety of aural delights provided by the Dead that are so often 'just exactly perfect' for that person at that space and time ;o} The Truth is realized in an instant, the act is practiced step by step.
  • cosmicbadger
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    eras
    For me a helpful distinction between the 'earlier' and 'later' dead periods is that the earlier work is timeless and universal..you can listen to it purely as music even if you were not around then and only be amazed. But for much of the later stuff, and especially as Garcia's inventiveness, consistency and voice began to wane, it increasingly becomes a case of 'you had to be there'. People develop very strong attachments to years and runs which they attended, not just because of the music, but also because of the whole experience they had at shows. We had no shows in Europe from 81 to 90 and a lot of what i hear from that period I find pretty painful..for me Brent's talents cannot in the tiniest way compensate for Jerry's slow decline. But then I also know that if I had been at some of those shows I would probably feel totally different and I also know that Jerry could still touch the stars from time to time! Each to his or her own I suppose. As for a box set...how about a 'wall of sound' set from '74.
  • dstache
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    Dstache
    I knew I shouldn't of posted that, as I was writing it I knew it, but ... haha Some points: (1) When I say "later years" I am using the breakdown of the Taping Compendiums and am referring to 86-95, so I am not referring to the 2 Anchorage '80 shows. In fact, I agree that they would make a fine release. (2) Mary, you've seen me often enough on the vineyard to know (my pic) that I didn't get on the bus until much later. I only saw shows from 93 onward and, as can be inferred from my previous post, I would probably not purchase anything from those years. (3) I agree that Brent was great. He's the main reason I sign up for vines for later era shows (the other reason would be the newer Jerry songs, the one thing he could still do was write and play a good slow song (see Liberty, Black Muddy, So Many Roads, Days Btwn, etc)). I love all of his songs except "We Can Run." I love his playing. I love his backup singing. (4) I have no problems with releases of later era shows. I would just like to see them release single shows here and there or a compilation Road Trips and not a huge box set, especially when they release such a limited number of box sets. (5) It just seems to me that in requesting a box set of the 21 show Spring '90 run, you are implying that you would rather have all the shows from that tour rather than all the shows from early '69, spring '72, fall '72, fall '73, spring '77 or fall '77. Notwithstanding Brent's contributions and the newer Jerry songs, I just think that is crazy. This reminds me of a remark in the Taping Compendium about how if one could have all the SBDs from one particular month, April of 78 would be way down the list. Spring '90 would be behind all the tours mentioned above on my list. (6) The packaging for the '73 Winterland box does not explain the $35 price difference btwn it and the '69 Fillmore West box. While I like it, the box is basically a crayon box, like you'd store your Crayolas in as a kid. The packaging probably cost about $2 more to manufacture AT MOST. Both were 10 disc sets, the Winterland box was released about a year or two later. The price increase was inexplicable. So, I don't think a '90 Spring box would be offered at a "discounted" price. I use quotes there because $450 for music is WAY more than I would be willing to spend. Heck, I complained they were gauging us for Winterland '73. (7) Finally, these are just my opinions. If you want a later era box set you are free to request it. But at the same time, I am free to request that shows from what I consider better years be released instead. Good vibes to all
  • Larree
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    3-18-77!!!
    One of my personal all-time favorite shows! My fave live terrapin (besides the first terrapin in san berdoo..) and the NFA was insane! :D Larree.ws
  • marye
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    I'm with pappy
    especially since I didn't come along till '81. To this day I miss Brent as much as Jerry, and the Brent era is woefully underrepresented. And I can think of quite a few shows or runs (Greek box set! Anchorage!) that would warrant the full show/box set treatment.
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Our friends the Rhinos have various and sundry new releases in the development process, but they're always interested in hearing what you'd like to see hit the virtual shelves of the Store. No promises, but you never know...

This topic is for requesting new box sets. There are also topics for individual shows and DVDs.

If you've already requested something in the previous Requests topic, you don't really need to request it again, but hey, if you just can't help yourself...

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How about 7-18-89 on DVD for those who missed it in the theater. Hell, do it for us that saw it too!
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that's a notion that would get a lot of support... It was really a stunner!
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Yes this makes too much sense a complete every note box set of the Fillmore boxset 1971...2nd which i heard it's not all available source wise is the complete 1980 Fall tour with the acoustic sets...either the Madison Square run or the San Francisco Warfield run...beyond that i can't think of something where every note of is mandatory of a run...i could think some more and probably come up with a few more...i like the idea of the acid test box set.
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I have asked for all the "new" songs in the past and the idea doesn't seem to meet with much enthusiasm. I understand why. Still, I believe there is enough interest from the late bloomers and others like myself who dropped away from the scene in a major way after 91 to hear the Boys at their best in the latter years. So here is yet another idea to showcase that: A box set of the complete two best shows from strong sources with best possible playing. I have some ideas. Three Rivers in 95, Chapel Hill in 93 but I don't know what the sources available are so whatever suits me just fine. I'm sure there are strong shows out there from these years that deserve to be highlighted. I hope they are and I think it would be a welcome addition to round out a lot of collections.
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Spring tour 1990 the whole thing as a box set.
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If my vote counts for anything, then please, please, please limit the size of releases to one show or a two or three disc compilation of an era. One of the things that always separated the Grateful Dead from other bands was the egalitarian way they treated all of their fans. By coming out with these multi-disc releases that retail for hundreds of dollars, they are creating two classes of Deadheads--those that can afford the music and those that can't--and that is not what the Grateful Dead was, or is, about. The music should be there for as many people as possible. I bought the Europe '72 box (even though I really could not afford it). And even though I felt personally burned when they finally released them as individual shows, I was encouraged by what appeared to be a return to the good old Grateful Dead egalitarianism of yester-year. For something that supplied so much spiritual juice for so many of us for so many years, it is saddening to see the music become the property of only those who have hundreds of surplus dollars laying around. I believe that the model that began with the much beloved Dick's Picks series is the one that should take precedence. The vast majority of Heads can afford a release that's $20 to $30, and we're damn glad to have them. While there is a lot in the new 1990 box set that I'd love to hear, I just can't justify dropping $200 for it all; whereas if these shows were released individually over a period of time, there is a chance I might get them all. I also have a lot of trouble with the idea of limited releases. If this is something the Dead and its affiliates have to do for economic reasons, I can accept that. But again, it seems it is creating two sets of Deadheads--those with, and those without. I think I can speak for the great majority of us here when I say that the music the Grateful Dead created transcends mere entertainment. In many respects, experiencing the Grateful Dead held certain spiritual dimensions. To deprive a fair amount of the Deadhead community our musical mana just does not seem right to me. And I'm not one of those "music should be free" fools that were so well captured in the "Festival Express" movie--I am more than willing to pay for my proverbial ticket so I can take the ride. I just feel that there is a Middle Way here that the Dead did a great job of holding to for many, many years (and should be commended for it). All I am asking is that they should stay true to the principles that guided them so well for so many years. I've bought a great deal of amazing music from the Dead organization for many years (going back to the early 90s), and I hope to continue to do so. But there may come a time when I can't afford to, depending on how things go with the releases. Please Grateful Dead family, "let there be songs to fill the air!"
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yea the winterland 2/22-2/24/74 miami 6/22-6/23/74 europe 74 yea we got a dicks picks for two days but we need more!!! and the full 10/16-10/20............ a spring 73 or summer 73? run.
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These are two kick-ass shows from a very unrepresented year. These two complete shows would fit on six discs. They don't need a bunch of useless crap with them -- just digi-trays, an essay about each show and high quality CDs in a nice slip case without cowboys and indians artwork. Make everybody happy and sell it for 39.99. Please? You're killing me with deluxe, souped-up $200 editions!
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now that i've digested this beast. I love it, the music is top notch and now that you exquisitely marketed the hell out of it and got your $200 bucks a pop it's time to release the rest of the shows from each stand at the going rate. Everyone here knows there wasn't a bad show that spring, by the Summer Tour they were about to self combust (RIP Brent). The last night of the stand mentality was okay but, let's have the rest of the best... I've been seeing the band since 2/4/78 and continue to see FURTHUR as well as spend my hard earned coin on the products, so Europe put me into having to work overtime hours to afford it and though it was great and the setlists were somewhat static I love it! I'd love to be able to purchase entire runs from Uptown Theater,Chicago or Spectrum, Philly. Red Rocks, Greek, Frost etc hell It would be nice to have to the option to buy any show from 1989 and where are the videos man? You guys gotta have at least a couple of spot on 92-95 shows to share!? The cover bands in that AVMT night out at the movies were fantastic, release that Alpine show with the covers project bonus disc...Let's keep talkin' about August 1972 will that movie ever get released? What the hell happened to the JERRY GARCIA BAND SHOWS??? How can you guys not want to collect all of this bread man... take my money please. Give some of that church/warfield 90-95 jGB. RANT MODE OFF NOW. Thanks for the extremely expensive offerings that I will continue to buy. Gerry
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2/5-8/70 – Fillmore West;2/11-14/70 – Fillmore East (Let's be honest, Dick's Picks, Vol. 4 doesn't really do this justice); 4/4-6/71 – Manhattan Center; 4/25-29/71 – Fillmore East; 6/9-10/73 – RFK Stadium; 7/27-28/73 – Watkins Glen; 2/22-24/74 – Winterland; 6/22-23/74 – Miami; Anything from Europe '74; 10/16-20/74 (how about this ~15 disc set for October '14?); Pretty much any multi-night theater run from '76; 3/18-20/77 – Winterland; 4/25-27/77 – Capitol Theater; 12/27-31/77 – Winterland; 7/17-19/89 – Alpine Valley; 10/11-15/89 –East Rutherford (in fact, go for any run on this tour); The complete MSG '90 run, or Europe '90. Take your time, though.
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Hey Gang,We are releasing Dicks Picks vol 3 and 4 on vinyl March 19th. You can pre order now at www.BrookvaleRecords.com These are from the original tapes and mastered for vinyl by Jeffrey Norman. See below for his comments. Thanks for your time. FROM THE ORIGINAL MASTER TAPES! Mr Norman talks about mastering vol 3 and 4. “I was excited to get the chance to remaster the early Dick’s Picks’ releases for vinyl…they were originally mastered for CD in 1995-96, and I was looking forward to hearing the 1/4″ source tapes once again, 17 years later. What I didn’t expect was the dramatic improvement the new mastering gives to these classic releases. The original CD resolution is 44.1KHz/16bit (as is any released CD), while the mastering I am now doing for the vinyl releases is 96KHz/24bit. I’m now using a state-of-the-art analog to digital converter (Pacific Microsonics Model 2)….and I’ve probably gotten better at doing this over the years! I used the original CDs as a guide for the new mastering, but when listening to the CDs I feel like I’m listening in black and white, while the new mastering feels like I’m listening in color. It’s very exciting! A few observations: the mixes for Dick’s Picks Vol. 3 and Vol. 4 couldn’t be more different. The Pembroke Pine show (Vol.3) is quite bass strong and powerful. The Fillmore East show (2/13-14/12) on the other hand is very bright and a little bass shy. Both represent the ears and interpretations of the mixers at the time (Betty Cantor Jackson at Pembroke Pines, and Bear at the Fillmore East), and both capture the quality and excitement of these shows. I did some equalization on both shows to enhance the presentation but kept true to what the original mixers intended. As typical of all Grateful Dead shows, both these two shows are very dynamic….there’s a wide range of volume from quiet to very loud. I tried to keep the dynamics intact, with very little limiting, using limiting mainly as protection against digital overs. In choosing the songs for each side of vinyl, the goal was to be true to the flow of the show and keep the fidelity as high as possible. There is a physical limitation to the length of a vinyl side….if it gets too long there is a loss of bass and level. Ideally the sides would be no longer than 20 minutes, and for the most part that was accomplished. However there are a few sides that are longer than ideal, but because of the way the music lays out there was no way around a few longer lengths. Also because of those side length constraints, there are some songs that had to be split in two (i.e. Vol.4 Dark Star, The Other One, and Lovelight)…sorry, you’re going to have to flip the record to get the entire “good stuff”. Considering that these tapes are 40 years old (in the case of Vol. 4, Fillmore East), they sound phenomenal! There are some issues on the original recording that can’t be fixed (i.e.. L/R movement side to side in Vol. 3 Eyes of the World), but that in no way takes away from this great music.”
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But the idea of flipping in the middle of a song (3X no less) is totally hack, though I do understand the limitations.
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These two shows would make an excellent box set along with another show on the tour with a good source.
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14 years 11 months
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i need a fix...............cuz i'm goin down!!!
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like yer thinkin up to 74!!! LOL!!
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Listening to Classic Vinyl on my Sirius (very rare I move from the GD station) and I hear that wed morning 9 EST David Lemieux is doing a 90 min special on the GD station for the new MAY 1977 BOX SET!!! 5 complete shows (they didn't say which ones). I feel like Ed Grimley at Christmas.... I couldn't be more excited!Sure hope it wasn't just a wishful flashback :-)
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Would love to see the spring 90 box set released without the fillers.wouldn't mind a rerelease like the Europe 72 box set. Had to miss out on the original box set.
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I'd like to see a box of all the shows Branford Marslis did with the dead. To my memory, those were3/29/90 12/31/90 9/10/91 12/10/93 12/16/94
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I'd love to see that happen. I used to play those tapes till they fell apart.
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I am hopeless but I must say that I would love to see summer of 1990 shows released especially 7-21-90 at Tinley Park as well as the other Tinley shows and the Deer Creek shows. Also, the entire 1972-1974 era.
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Spring '87 Ultra-Matrix recording's box set? Hampton March 22,23,24, 1987 Hartford March 26,27, 1987 Philadelphia March 29,30,31, 1987 Worcester April 2,3,4, 1987 East Rutherford April 6,7, 1987 Chicago April 9,10,11, 1987 This tour ripped and I know the Ultra-Matrix Cassette Master's sound Amazing!!!!! ;-) ;-) ;-)
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I'd love to see a box set of the summer of '76. Ideally, it would include the Orpheum run plus Colt Park and Roosevelt Stadium. If that's too much, the Orpheum run by itself would be enough. Even better would be the whole year or the 2nd half of the year from July on.
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I think a 1976 box would be great as well! But I've been listening to several '82 and '83 shows and feel those years deserve a box also. Especially since the Dead turned in some great versions of West LA Fadeaway, My Brother Esau, Throwing Stones and Hell In A Bucket...
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Several people below mentioned a box set of the Orpheum Run of '76.That would be my "White Whale"! I have copies of each show but none are tremendous quality...
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Some of the best PITB's ever played in November
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Should be that time of the year for announcing the next box? Anyone got any hint that something is on the way?
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I will echo the thoughts of Jingle Jangle... LOVE fall '72!Would make an excellent box set...
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The Texas shows would be just exactly perfect...11/18/72 through 11/26/72 5 shows in all... Bird Song from that period!
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How about a box set of all the "bonus discs" that have been released so far????? I have talked to a bunch of people and everyone agrees: It is great to give the bonus discs, and we always love getting them, e.g., the one with the newest Dave's Picks was great. But, we all also agree it is infuriating not to be able to get them after that. I have some, I've missed some. I want them all. I was just on Amazon a few minutes ago and a bonus disc from a Road Trips was being offered for $140 bucks. Ouch. I don't know about everybody else, but I would much rather the Band get a chunk of my money than it all going to a reseller. So, how about putting out a box set with all the bonus discs issued to this point? You could charge a fair amount for it and it would still be worth it. Plus, you already have the CDs worked up -- it would be cheap to produce. Then, in the future, you could put out another box set-- Bonus Disc Box Set Vol. 2 -- with the bonus discs issued from this point forward. Now you need to release more stuff faster so that it is not too long a wait for the future bonus discs. Or you could do with the future bonus discs what I am suggesting below for the future releases: Cheaper by subscription to begin with, then the price cranks up to a lot after that. And the Fillmore 1969 box set . . . . I missed it-- I was getting married and moving during that time and didn't even know it was being released until they were all gone. But holy cow, who WOULDN'T want that? If you are going to want one thing . . . . New ones sell for $750 on Amazon now, used ones like $440. Frankly, I already have all the shows, but that doesn't mean I don't want the box set. Not only do I want it just because, but I want to buy one so the band can get some money for their incredible music. When you do these limited releases, all you are doing is diverting money to resellers rather than the money going to the band. Generally, I try to buy everything you all put out . . . . so you will put out more. Rather than making things unavailable after limited runs, wouldn't it make a whole lot more sense to instead jack the price up? For example, you could do the Dave's Picks subscription for $150 for the year (charge at least that much--they are worth it--whole shows, great shows, great packaging and information,etc., keep up the great work!). Then, if you don't get a subscription, make the individual Dave's Picks available a couple of months after the subscription release them but sell them for something like $60 bucks each. Everyone is happy if you do it the way I suggest. Right now all you are doing is putting money in the pockets of resellers that would otherwise be going to the band. I don't like that and I don't like not being able to buy everything that has already been released, particularly in these days of CDs, when they can be easily produced again. Thanks for your consideration.
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Now this IS a good idea too. If you have a SBD of the San Antonio show in the vault, please do release it! Or even just SBDs of the ones you do have. Or hell, release all the Texas shows you have in a box set. Or two box sets, early and later. Now, about the California box set . . . .
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Gotta be something big for the 50th, yes? And while I do love the big box sets (Fillmore '69, Winterland '73 & '77, Europe '72, Both Spring '90s) I have to say that I couldn't afford 2 of them at the time (Europe '72 and Fillmore '69). I hope if they do something big for the 50th they at least release the individual shows later. How about picking the best show from each year that hasn't been fully released and round out the set with Wildcards. Break it up. Release #1: '65-'72 Release #2: '73-'78 Release #3: '79-'86 Release #4: '87-'95 Release #5: Wildcards Include Rio Nido '67 and some of the '87 east coast stuff: Greatest > Devil with a Blue Dress > Good Golly Miss Molly > Blue Dress & the Good Lovin' > La Bamba stuff. That was sweet. Or the Santana '87 shows. Anyway, just thought I'd put my ear to the ground on the 50th.
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There were four shows, two dark stars, and you could add the San Jose show 8/20 as filler.These were some of my first shows, and this was the run where I got it - these guys were playing great stuff, and were doing different sets each night. After this run, I started going to every show in a run. Soon I started traveling to see shows in other parts of the country. Never regretted it.
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How about a box set of complete shows with Multi-track masters. One from each year of the 70s. That would be phenomenal, as we love the sound to be just exactly perfect. There has to be something from '74 that sounds as good as the GD Movie Soundtrack. And are any of the other 3 shows from '75 available on multi-track? And anything with Keith and Donna from '79?
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What would be really good would be a box set of Europe 90 - nearly 25 years and nothing so far. Presumably the powers that be don't believe it would shift enough units Stateside to justify the effort.
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Please Please release 5/4/79 on CD!!!!!!!
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I wish they'd re-release the 3 RSD lp releases on cd - Dark Star, Winterland May 30, 1971 and Live At Hampton Coliseum. The one coming out on 11-28 might make this happen. I HOPE !!!
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Is it just me? Man Oh Man would I like nothing more than a good long drink of that era! Something that you can really sink your teeth into. I just can't get enough of it! I gotta believe that I'm not alone on this. To me, this is a no brainer! I just don't hear much chatter at all about a box set from this period. Does anybody else feel the way I do???
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Box set of Philly Spectrum sell outs, break it out into decades. Kind of like the seasons idea, spring, summer, fall to keep boxes a little more affordable. Second the emotion of 73-74 Wall.
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Passenger.08 I'm from Philly. I did not miss a Spectrum Show. I have always said that TPTB @ dead.net should take a good look at those shows for release. THOSE PHILLY SHOWS were especially awesome at THE SPECTRUM and were usually always SMOKIN' HOT! They ALWAYS played real good for Philly. Any decade. A box of SPECTRUM SHOWS would be a big money maker for sure. A Fine Suggestion Indeed!
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Don't forget to include LOVE, the word is that BEAR recorded the opening acts this time around.................but there were no early shows................ HA HA
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Non-FE April 1971. "Mini-boxes": Manhattan Center 4/71 Felt Forum 12/71. SUNY 10/30-31-70. Boston Music Hall 4/71 and 12/71. Rock on, Doc
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First, I'll second the recent Wall of Sound shows box set request as a good choice- absolutely love '74- including a full 6/18/74 and 6/23/74 in a box set, for example. Or perhaps a good '71 box. Even more so, though, I'd like to see releases from the first half of the 80s, which have been so neglected in the Dead discography- some greats include 8/28/81, 4/19/82, 9/21/82, 4/16 and 4/17/83, and 7/22/84. Plus of course a bunch of '85 shows. And speaking of '85- Spring and Summer of '85 had so many great shows- the band was crisp and energetic- 3/25, the Nassau shows, 3/31, Meriwether- 6/30/85! Great shows from later in the summer and early fall, too. And while I do love '68-'74 most of all, and '77 quite a lot, obviously the early 80s have been so underrepresented (and are my favorite Dead era after those above)- not sure if it's simply the quality of the master tapes or what. There's enough strong and unique playing from that era to merit these kinds of releases. Still, a re-release in some form of the Fillmore West 1969 Complete Recordings box set would be EXTREMELY APPRECIATED by many people here who missed getting it during the extremely brief period before it sold out- and from what I recall, it was fairly affordable by Dead box set standards. Finally, on that note- please no more $200+ box sets, unless like Europe '72 the shows can be ordered individually!!
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8 years 10 months
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Probably a silly question. Are the July 4.5.6 shows going to be released on cd/DVD/blue ray ?